Piano     Violin     Cello     Viola

 

HOME     ::     BIO     ::     STUDENTS     ::     RATES     ::     LINKS     ::     CONTACT

 
 

 

Meghan R

(click here for schedule)

(click here for studio policies)

 

 
 

 

April 5th

 

Please purchase the following materials (rosin, case, books):

 

 

     Korg TM50PW - Tuner/Metronome

 

Liebenzeller Gold IV Cello Rosin Soft Grade       Larica Cello Rosin (purchase the "GOLD IV" )

 

     Alfred's Basic Piano Course - Flash Cards (Levels 1A & 1B)     Alfred's Flash Cards 1A/1B

 

Muller - Rusch String Method Book 1 - Cello             Muller Rusch -Cello Book 1

 

Solos And Etudes, Book 1 - Cello             Solos & Etudes - Cello Book 1

 

Suzuki Cello School, Volume 1 - Cello Part            Suzuki - Cello Book 1

 

Solos and Etudes, Book 1-Violin             Solos & Etudes - Violin Book 1

 

Suzuki Violin School, Volume 1 - Violin Part (Revised Edition)             Suzuki Violin School - Volume 1

 

Alfred's Essentials of Music Theory - Complete (Book)             Alfred's Essentials of Music Theory - COMPLETE

 

Suzuki Violin School, Volume 2 - Violin Part     Suzuki Violin - Book 2

 

Suzuki Violin School, Volume 3     Suzuki Violin - Volume 3

 

Suzuki Violin School, Volume 4     Suzuki Violin - Volume 4

 

Suzuki Violin School, Volume 5 - Violin Part     Suzuki Violin - Volume 5

 

Suzuki Violin School, Volume 5 - Violin Part     Suzuki Violin - Volume 6

 

Muller-Rusch String Method Book 2-Violin     Muller Rusch Violin Book 2

 

Muller-Rusch String Method Book 3-Violin     Muller Rusch Violin Book 3

 

Muller-Rusch String Method Book 4 - Violin     Muller Rusch Violin Book 4 

 

2nd and 4th Position String Builder     String Builder 2nd & 4th Position

 

3rd and 5th Position String Builder    String Builder 3rd & 5th Position

 

Solos and Etudes-Book 2-Violin     Solos & Etudes - Book 2

 

      Dominant Violin String Set

 

Super Sensitive Sensicore Violin Strings (2307)      Super Sensitive Sensicore Perlon

 

Pirastro Obligato Violin Strings (1BVSB)    Pirastro Obligato

 

       Violin Bow Right

 

    Treble Clef or the "G Clef" - (violins play this clef)

 

        Alto Clef or the "C Clef" - (violas play this clef)

 

        Bass Clef or the "F Clef" - (cellos play this clef)

 

       p   piano (play soft)

 

       ƒ   forte (play loud)

  Quarter NoteQuarter Note (1 beat ad we play)

       Quarter Note Rests   Quarter Rest (1 beat and we don't play)

  Half Note (2 beats and we play)        

Half Rest (2 beats and we don't play)

  Whole Note (4 beats and we play)     

Whole Rest (4 beats and we don't play

 

1) Scales - Start with an Open String, then place 1st, 2nd, & 3rd fingers down in order, then move to the next Open String and repeat the process and then go back down the way you came up.

 

G-Scale - G, A, B, C, D, E, F#, G and go back down  (say notes out loud as you play)

D-Scale - D, E, F#, G, A, B, C#, D and go back down  (say notes out loud as you play)

A Scale - A, B, C, D, E, F#, G#, A and go back down (say notes out loud as you play)

 

 

Scales & Arpeggios (Quarter, Eighth & 4 Notes Slurs) - metronome at

    C-Scale (no sharps) - 2 Octaves                      C-Arpeggio (C, E, G)

    Am-Scale (no sharps) F# & G# up only        Am-Arpeggio - (A, C, E)

    G-Scale (F#) - 2 Octaves                                 G-Arpeggio (G, B, D)

    Em-Scale (F#) C# & D# up only                    Em-Arpeggio - (E, G, B)

    D-Scale (F#, C#) 1 Octave                              D-Arpeggio (D, F#, A)

    Bm-Scale (F#, C#) G# & A# up only             Bm-Arpeggio - (B, D, F#)

    A-Scale (F#, C#, G#) - 1 Octaves                   A-Arpeggio (A, C#, E)

    F#m-Scale (F#, C#, G#) D# & E# up only    F#m-Arpeggio - (F#, A, C#)

    E-Scale (F#, C#, G#, D#) -2 Octaves             E-Arpeggio (E, G#, B)   -Use 4th finger

    C#m-Scale (F#, C#, G#, D#) A# & B# up only    C#m-Arpeggio - (C#, E, G#)

    B-Scale (F#, C#, G#, D#, A#) -1 Octaves      B-Arpeggio (B, D#, F#)

    *Cb-Scale (Bb, Eb, Ab, Db, Gb, Cb, Fb)

    G#m-Scale (F#, C#, G#, D#, A#) E & Fx up only   G#m-Arpeggio - (G#, B, D#)

    *Abm-Scale (Bb, Eb, Ab, Db, Gb, Cb, Fb)

    F#-Scale (F#, C#, G#, D#, A#, E#) -2 Octaves      F#-Arpeggio (F#, A#, C#)

    *Gb-Scale (Bb, Eb, Ab, Db, Gb, Cb)

 

__________________________________________________________________________

 

    F-Scale (Bb) - 2 Octaves                                  F-Arpeggio (F, A, C)

    Dm-Scale (Bb) B & C# up only                      Dm-Arpeggio - (D, F, A)   

    Bb-Scale (Bb, Eb) - 1 Octaves                         Bb-Arpeggio (Bb, D, F)

    Gm-Scale (Bb, Eb) E & F# up only                Gm-Arpeggio - (G, B, D)

    Eb-Scale (Bb, Eb, Ab) -2 Octaves                    Eb-Arpeggio (Eb, G, Bb)

    Cm-Scale (Bb, Eb, Ab) A & B up only           Cm-Arpeggio - (C, Eb, G)

    Ab-Scale (Bb, Eb, Ab, Db) -1 Octaves             Ab-Arpeggio (Ab, C, Eb)   

    Fm-Scale (Bb, Eb, Ab, Db) D & E up only      Fm-Arpeggio - (F, Ab, C)

    Db-Scale (Bb, Eb, Ab, Db, Gb) -2 Octaves      Db-Arpeggio (Db, F, Ab)

    *C#-Scale (F#, C#, G#, D#, A#, E#, B#)

    Bbm-Scale (Bb, Eb, Ab, Db, Gb) G & A up only    Bbm-Arpeggio - (Bb, Db, F)

    *A#m-Scale (F#, C#, G#, D#, A#, E#, B#)

 

                                

1) Sitting Posture- sit on the right corner edge of your chair, feet flat on the floor, and

    straight back.

 

2) Concert Rest - while sitting, hold violin upright on the left knee & hand gripping the

    body of the violin with your left hand on the top.

 

3) Playing Posture- bring your violin up to left shoulder. It should come straight out

    with the back of the chin rest against the neck. Side of chin should fit snuggly into

    the chin rest. The violin will be tilted at 45 degrees. (You should be able to hold the

    violin with out any hands if done properly.)

 

4) Pizzicato (plucking)- With the violin up in playing posture, put the tip of your right

    hand thumb against the corner edge of the finger board and bring the tip of your

    first finger around to the top of the strings and pizzicato the G-D-A-E Strings. (the

    G-String is the fattest string)

 

5) Fingers on the Finger Board

    - ALWAYS KEEP A STRAIGHT WRIST

    - First align your (left hand) thumb on the first piece of tape closest to the scroll.

    - The tip of the thumb should be level to the finger board from the side of the neck

       and not be sticking out.

    - Twist your hand around so the fingers can curl up around the neck but make sure

       the hand is far enough back that the fingers can get over the tape.

    - Once done check to see if you have a whole between your thumb and first finger

       underneath the neck of the violin

    -Be sure to keep your fingers curved at all times and use the tips of the fingers. (the

      finger nail should NOT be touching the string so keep the fingernails trimmed)

 

6) Bowing

    -Then curl your Right Hand thumb tip to side of the stick between  the bow grip and

       the frog. MUST BE AT THE TIP!

    -  Curve your 2 middle fingers around the top of the stick at the first knuckle across

       from your thumb. So you are making "C" like shape.  (fingers should be CURLY

    - Tilt your right hand to the left so the index finger makes contact with the stick.

    - Curl and bring out your index finger across the top of the bow between the first

      and second knuckle.

    - Lastly, your pinky should be curved on top of the stick with a slight gap from the

      ring finger.

 

(bowing for kids!)

 

1) Goose by the face (wrist bent down) and kiss it. Then let your arm go straight bend the wrist bent up.

 

2)  Practice the bow hold (let the rabbit sleep - hand tilt to side)

 

3) Practice "Goose" with the bow (keep the tip of the bow to the ceiling!)

 

Copyright © 2005 Colorado Music Lessons.  All Rights Reserved.